Movie Title: I Am Legend
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“I Am Record” is not a film that sticks closely to it’s source material. While that is it’s biggest flaw, it is also where it shines. If you ha told me two years ago that I’d procure misty-eyed watching Will Smith shriek “Three Microscopic Birds” in a spacious budget motion represent I’d have laughed myself laughable, but this adaptation of Richard Mathson’s untouchable unique that -while itself being a vampire story- inspired the entire zombie film genre as we know it takes the memoir we all know whether we’ve read the book or not and turns it into an exceptionally personal affair for all of us. One man. One dog. A familiar metropolis deserted by day, but crawling with death by nightfall. This is our setting and it’s one that never gets aged for me.

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The plague that wipes out Robert Neville’s world is never fully explained, simply inferred to be the result of some sort of failed cure for cancer. Gone from the new and the modern Vincent Ticket classic, The Last Man on Earth, is the long struggle of Neville to attach his ill daughter, his wife’s tranformation, and the gross actions of the US government to hold the plague. What it left is simply one man, alone trying to possess his sanity and hopelessly searching for a cure to a disease that has already wiped humanity off the face of the earth and left the “survivors” as rabid vampiric horrors. It’s murky, it’s pathetic, and it’s perfectly human. Will Smith has a penchant for picking awful, schmaltzy films to star in, but no one can boom his talent and charisma as a leading man. Naturally, this is a film he must carry single-handedly and he does an awesome job of it; he’s dramatic, he’s relateable, and at times, he is amusing. The humor is that of the murky and atrocious kind, but in a world like his, that is all there is left.

The vampires/zombies/infected in this are all CG and more than a bit reminiscent of Gollum from The Lord of the Rings. I’m not a fan of these kind of effects when practical would have been more effective and was acutely aware of the fact that I watching computer-generated monsters, but they worked nonetheless. The infected indicate to be unpleasant foes for Neville to face, combining suprising cunning, inhuman strength, and impossible agility (hence the CG) . Their only weakness is that sunlight kills them almost instantly. Neville plays a game of cat-and-mouse with them, gathering supplies, researching cure, and searching for survivors by day while making definite to obtain benefit to his fortified apartment before nightfall when the creatures near out to hunt for his hiding station. More than a few shades of 28 Days Later are reveal in this film, which is comic considering the book and it’s film offspring are largely what provided the elements of that film. So I guess the genre has officially reach chubby circle now.

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Ultimately, it’s the personal touches that effect “I Am Tale” such a treat. Bob Marley provides both the soundtrack to Robert Neville’s day and the inspiration for his work, which is both ironic and uplifting at times. This may sound queer for a terror flick, but if you are a fan of Marley (himself a Epic) it makes all the sense in the world as you study. Watching Neville attempt to interact with mannequins he’s location up as he returns the movies he rents (in alphabetical order, one at a time) and seeing him snap when one of the figures is moved is both humorous and, at times, intensely disturbing. When relief finally comes, Neville finds he has lost the ability to interact with other humans at all and is relegated to performing lines from “Shrek”, which is playing on his television at the time. The ending is a complete 180 from the book which is disappointing, but not as corny as it could have been. The new I Am Anecdote has one of the most radiant and darkly ironic endings ever attach on paper, but director Francis Lawrence didn’t end it by go for the tickled ending either. The result is a compromise between the pitch blackness of the book and the cloying cheese that many Will Smith fans appreciate. It turns out a bittersweet and hopeful conclsion that should satisfy both while not thrilling either. But I left the theater with “Redemption Song” aloof ringing in my ears and a elated feeling. If only every movie could do that for me.

“I Am Chronicle” fails to adapt the book of the same name to the astronomical camouflage, but succeeds in so many other ways. I can’t give it a perfect accept, but I will give it a very hearty recommendation to fans of Will Smith, zombies, vampires, and Bob Marley. Indulge In.

I Am Fable can’t catch a gorgeous shake. This Will Smith-led production is the third attempt Hollywood has made to adapt the lustrous modern. None of the adaptions have truly done the current justice (which is a shame), but this version has near the closest.

Here we have a radiant beginning; footage of a scientist (played beautifully by Emma Thompson) saying humbly that she’s discovered a design to cure cancer. Snappy forward a few years, and Original York is utterly devoid of human life, assign for Robert Neville (Will Smith) . As the first half of the film progresses, we learn about his meager living, spending the day harvesting and trying to explore a cure, even now, while spending the night huddled in his protected home as creatures prowl.

His only companion, a astonishing dog named Sam, protects Neville as Neville protects him. They have a friendship based on loneliness and the human need for someone or something to occupy onto. Sam is Neville’s only connection to the past and the only method to relate what microscopic humanity is left, either in the world or Neville himself. This period in the movie is pitch perfect, puncuated by one or two plain sequences that instill obliging anxiety.

Unfortunately, the last half of the film deteriorates into an action movie that completely changes the meaning of the words “I Am Anecdote.” Don’t come by me spoiled, it’s mostly done really well. Constantine director Francis Lawrence has a profitable handle on the action and delivers some honorable scenes. But, it becomes muddled and veers off completely from the unique. My biggest complaint, though, is the employ of CGI. Instead of using trusty flesh and blood actors, all of the creatures are created with CG and they gawk incredibly deceptive when lined up next to valid people. In the beginning, it’s not a dilemma but as you perceive more of them (and you will) it’s glaringly certain. And annoying.

All of this I was expecting going in, though. Considering that the film was co-written by Akiva Goldsman who also wrote I, Robot, I knew this version would stray from the source material unbiased as I, Robot did. As a movie, it’s genuinely thrilling and creates the perfect balance of tension and action through most of its entirety. And, surprisingly, Will Smith shows that he’s a really obliging actor as he has to not only tackle many conflicting emotions during the two hour speed time but he also has to do so without having worthy of anyone to react to. Spending a wonderful hour or so without another single actor for Will Smith to work with was a gamble and it paid off.

Your enjoyment of the film is entirely based on what you bring to the table. If you’re coming to this film expecting to perceive the book advance to life you’ll be sorely disappointed. However, if you’re looking for a agreeable action movie that actually has a respectable account and a human aspect, you’ll be hard-pressed to procure one as thrilling recently.
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Drive By: This film is based on a tru story about gang life on the streets of Chicago. Caesar O’Campo, a young teen, seeks acceptance and membership into The Brotherhood, a gang lead by his older brother, Kiko. Set on breaking the family gang cycle, Kiko fights to keep Caesar away from a life of crime and violence while others set out to destroy an entire family and the Brotherhood. Road Dogz: Once upon a time in the hood “Boyz N the Hood” meets “Blood In, Blood Out” in this gritty tale of life on the streets of East L.A. Danny (Jacob Vargas), Alfonso (Greg Serano) and Raymo (Clifton Collins, Jr.) are lifelong friends who have spent their days hanging out and playing basketball. But everything is about to change…when one of them gets involved with a dangerous drug dealer, all their lives are at risk and they must make some life and death decisions.

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Paul Newman and his Butch Cassidy director, George Roy Hill, made a very original comedy in this 1977 story of an over-the-hill player/coach (Newman) for a lousy hockey team who gets results when he teaches his players to get dirty. One of the most hilariously profane movies ever to come out of Hollywood, this is the kind of film that makes its own rules as it goes along. Newman is very good, and while Hill goes for the gusto in terms of capturing the violence of this world, his instinct for comedy has never been sharper. Great support from Strother Martin, Paul Dooley, and the rest. –Tom Keogh

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The evil side of Suikotsu’s psyche is revealed, confirming Inuyasha’s beliefs that the “good doctor” is really a member of the Band of Seven. Suikotsu and Inuyasha clash, but the effects of the sacred Mount Hijiri causes Suikotsu’s transformation to revert and the resurrected mercenaries to flee the area. The retreating mercenaries regroup with their leader, Bankotsu, the most powerful of the Band of Seven.

SPECIAL FEATURES: Bilingual Japanese & English, with optional English subtitles, Scene access menu and Line-art gallery

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Released in late 1999, The Bone Collector was originally promoted as a thriller in the tradition of The Silence of the Lambs and Seven, suggesting that it would earn a place among those earlier, better films. Nice try, but no cigar. The Bone Collector settles instead for mere competence and the modest rewards of a well-handled formula. With a terrific cast at his service, director Phillip Noyce (Dead Calm, Patriot Games) turns the pulpy indulgence of Jeffery Deaver’s novel into a slick potboiler that is grisly fun only if you don’t pick it apart.

Noyce expertly builds palpable tension around a series of grusome murders that lead us into the darkest nooks of New York City. Now a bedridden quadriplegic prone to life-threatening seizures and suicidal depression, forensics detective Lincoln Rhyme (Denzel Washington) gets a new lease on life with a sharp young beat cop (Angelina Jolie) who’s a wizard at analyzing crime scenes. She does field work while he deciphers clus from his high-tech Manhattan loft, and as they narrow the search their lives are increasingly endangered. As this formulaic plot grows moldy, Noyce resorts to narrative shortcuts, using perfunctory scenes to manipulate the viewer and taking morbid pleasure in his revelation of the murder scenes. And yet it all works, to a point, and the cast (including QUn Latifah and Luiz Guzman) is much better than the material. If you’re looking for a few good thrills, The Bone Collector is a pretty safe bet. –Jeff Shannon

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